How can we continue to exist in the places we have left, through the memories of those who remain? In this project, I wanted to grasp the feeling of distance and the way technology tries to compensate for it.
I asked my relatives on my home island to capture images of shared memories. Transcribed in photogrammetry to materialise them, the combination of communication and memory work creates a new shared environment. The result highlights the omnipresence of the void.
The installation materialises this remote contact, as the negative of itself, via cuts in fluttering and elusive silk. The imagination completes the memory and projects fantasised images of a distant ideal, where presence/absence resonates and lingers.
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