GRAPHIC DESIGN

Ambre Louineau – Helix

with Jonathan Hares, Gilles Gavillet

Helix is a science popularisation project inspired by Isabella Maria Pasqualini’s thesis, entitled “Embodied Space in Architecture, Cognitive Neuroscience and Virtual Reality”, carried out at EPFL Architecture. The book focuses on the links of the human body with architecture and neuroscience, offering an interpretation and an appropriation of the thesis. To do this, the book explores the vector representation of the four chapters, alternating with photographic fragments illustrating the integration of the human body into the architecture of the book.

GRAPHIC DESIGN

Ilaria Citti – KRUMP

with Gilles Gavillet, Diego Bontognali

As a Krump dancer, I have noticed a lack of editorial content dedicated to this dance. Originating in the underprivileged areas of South Central in Los Angeles in the 1990s, Krump is a way for dancers to express their anger, aggression, frustration and pain in a positive way. This book sheds light on the spirit of this dance through its codes: its community spirit, its vocabulary, its music and its competitions. By seeking to meet those involved in the dance scene in Switzerland, I hope to offer an authentic perspective on this movement.

GRAPHIC DESIGN

Michelle Zadio Villarroel – Nativo+Latino

with Gilles Gavillet, Jonathan Hares

Nativo+Latino reinvents the heritage and syncretism of the South American continent. Long shaped by the evangelisation of the indigenous people, the consequences of this mix of identities bears witness to the cultural and religious alienation of Latinos. Gradually, awareness of the indigenous condition has pushed their descendants to honour and revive their cult. This project is a place where Latin communities, who aim to reclaim this heritage that was until now regarded as pagan beliefs, to come together, confront one another and express themselves. Nativo takes the shape of ancestral memories and a collective imagination that reflects a reinterpretation of the practice of Catholicism in Latin America in order to restore power in a hybrid vision of identity.

GRAPHIC DESIGN

Pablo Felley – 606

with Gilles Gavillet, Guy Meldem

606 is a travelling and modular art space, built from shipping containers. Every three months, the space changes location and layout. 606 invites local artists to create new universes at the intersection of technology and reality. 606 comes to life at night and showcases its identity through constantly evolving 360-degree projections, which cover and transform the structure of the containers. 606 also exists throughout the city through animated posters that offer a new interpretation of the projected visuals. The communication of 606 is simultaneously developed in 3D, 2D and in rhythm.

GRAPHIC DESIGN

Ianka Jean-Marie – HYPER-OBJETS

with Gilles Gavillet, Nicole Udry

Part art book, part science textbook, this meta-encyclopaedia evokes the risks of global warming. Going beyond the usual paradigms of the Anthropocene era, these phenomena are known as HYPER-OBJECTS. Through the reading of a simplified language, this system of mental maps conceptualises these complex phenomena. In the context of the ecological crisis, the materialisation of this ecological thinking allows us to measure our impact, while reinterpreting the phenomenon of the end of the world in a more tangible way. Through this visual archaeology, we search for traces of our contemporary civilisation, questioning our relationship with the future. In truth, doesn’t this object bear witness to the destructive movement of the end of the world?

GRAPHIC DESIGN

Ella Paleni – Trait de caractère

with Guy Meldem, Gilles Gavillet

The place of the graphic designer in the age of technological advances: today’s world is in constant technological evolution, which raises questions about the place and role of the graphic designer. In this graduation project, I set out to explore this issue by adopting a resolutely manual and artisanal approach. I created a book from A to Z, using traditional manufacturing techniques, from the elaboration of the paper to the final binding. By moving away from the omnipresent process of digitalisation, I sought to express a need to return to the very essence of the graphic design profession. This project highlights the advantages of an artisanal approach in an increasingly digital world. It encourages reflection on the specific skills that graphic designers can bring to the table.

GRAPHIC DESIGN

Alexis Gargaloni – Varia

with Aurèle Sack, Gilles Gavillet

Influenced by the rise of the metaverse, Varia is a metaphor of the early failure and absurdity of this technology, as well as research about typographic shapes. Mimicking the optimisation phenomena of object in 3D engines (Level of Detail), Varia is composed of three cuts of the same name: 0, 4, 8. While Level 0 seems closer to traditional typography, it is in fact a “smoothed out” version of the previous cuts, which already seeks to synthesise letters down to their most rudimentary forms. From the rigidity of the shapes, the existential constraints that the research brings to light illustrate the retrograde and dystopian vision of the metaverse, while at the same time offering a reassuring reflection of a future geometric transition of our bodies.

GRAPHIC DESIGN

Agathe Bourrée – Informal Pictures

with Gilles Gavillet, Nicole Udry

Each year, the seven most influent countries in the world gather to discuss international matters for a weekend hosted by one of the members. Informal Pictures is an inquiry that aims to recreate the atmosphere of these meetings, which lead to major decisions regarding international politics. It is an attempt to understand the influence of the press on the collective imaginary, with regard to those major political events. The study uses graphic design tools and mainstream journalistic sources to recreate an image that never existed, a missing image of political dinners during the annual G7. Those informal images are recreated based on what the newspapers say and used as input in an artificial intelligence to shape the intention of the picture.

GRAPHIC DESIGN

Editorial design S5 2021

with Gilles Gavillet, Jonathan Hares

GRAPHIC DESIGN

Marvin Armand – Bibliothèque

with Gilles Gavillet, Nicole Udry

“Bibliothèque” addresses typographical signs and their use in the perfume industry. This project features an olfactory alphabet of 45 elements. Each represents a scent of the perfume company “L’Eau de Cassis”. At the crossroads of illustration and typography, this alphabet takes us on a journey through the ephemeral nature of smells. Indeed, this notion of time and temporality inspired me to define a protocol to develop the nature of each sign from figuration to abstraction. “Bibliothèque” thus offers a new way of exploring signs and visual identity.

GRAPHIC DESIGN

Andréa Uldry – Holy Masculinity

with Diego Bontognali, Gilles Gavillet

Are boys and men ultimately designed and destined to be strong, fighters, heads of households? This anthology addresses and recontextualises what masculinity is, how it has developed and where it stands today. What if we rethought masculinities, since they are indeed manifold? Through various texts, accounts and self-portraits, we discover a sample group of men from real life, what they think and how they feel about themselves.

GRAPHIC DESIGN

Bruno Jolliet – New York Urban Atlas

with Gilles Gavillet, Nicole Udry

“New York Urban Atlas” is a project on the different ways in which urban density is physically transcribed in New York City. The book follows the principle of administrative residential areas by exploring the various neighbourhoods in the form of illustrations. Throughout the chapters the reader is led to explore urban materiality from an analytical angle with environmental factors relating to the illustrations. Map information provides insight into the various neighbourhoods explored in the book.

GRAPHIC DESIGN

Lucas Haussener – No Face

with Gilles Gavillet, Jonathan Hares

Emotions seem to be a simple concept at first glance, but when we try to look more closely at how they work, we soon realise the complexity and subtlety that this very sophisticated form of communication can take. To deal with this subject I decided to focus on facial expressions through the study of masks. Masks are a synthesis and a caricature of emotional archetypes. Moreover, the contexts in which they are used provide leads for research in understanding human reactions to this type of visual message.

GRAPHIC DESIGN

Lou Rais – A Continent to Be Shaped

with Gilles Gavillet, Nicole Udry

“A Continent to Be Shaped” is a journey through alternative teaching in architecture. The book is an atlas from the archives of EASA, an alternative school created by students in Liverpool in 1981. Forty years of workshop data from authors across the continent have been systematically edited in a non-chronological journey, revealing the students’ local ideologies and issues. No architecture is shown in order to stimulate the reader’s imagination, the archive is revived and extended with laser-cut silhouettes then modulated into an umpteenth construction. Prix BCV

GRAPHIC DESIGN

Niki Paltenghi – CSX369

with Gilles Gavillet, Jonathan Hares

“CSX369” features research on the potential of variable fonts in the ASCII technique. A technical quality is identified – that of precise quantification between two instances – and used for colour mixing through typography. Letters are tripled in the same position and each one has a primary colour. Their interspersed variations create secondary, tertiary, etc. hues. The system is implemented with an image processing tool. The research is presented with a specimen and some posters. Prix de l’ECAL

GRAPHIC DESIGN

Bruno Jolliet – New York Urban Atlas

with Gilles Gavillet, Nicole Udry

“New York Urban Atlas” is a project on the different ways in which urban density is physically transcribed in New York City. The book follows the principle of administrative residential areas by exploring the various neighbourhoods in the form of illustrations. Throughout the chapters the reader is led to explore urban materiality from an analytical angle with environmental factors relating to the illustrations. Map information provides insight into the various neighbourhoods explored in the book.

GRAPHIC DESIGN

Lou Rais – A Continent to Be Shaped

with Gilles Gavillet, Nicole Udry

“A Continent to Be Shaped” is a journey through alternative teaching in architecture. The book is an atlas from the archives of EASA, an alternative school created by students in Liverpool in 1981. Forty years of workshop data from authors across the continent have been systematically edited in a non-chronological journey, revealing the students’ local ideologies and issues. No architecture is shown in order to stimulate the reader’s imagination, the archive is revived and extended with laser-cut silhouettes then modulated into an umpteenth construction.

GRAPHIC DESIGN

Multiple Choices

with Gilles Gavillet, Jonathan Hares

Pick a subject, an editorial style, and a medium – either book or digital.

GRAPHIC DESIGN

Sandi Gazic – Between Myths and Reality

with Gilles Gavillet, Nicole Udry

My project reveals how human beings respond to natural dangers. In the past, the  myth of the devil and demons was told to overcome the unknown and the fear. Today, concrete walls and high-tech monitoring have taken over the task of protecting built structures. This project depicts the juxtaposition of myth and reality from the Illgraben catchment area to the Diablerets mountain range and the Aletsch Glacier, which are all located in Valais in the Swiss Alps. All these places have a long history of dealing with natural disasters, such as avalanches, outburst floods caused by glacier melt, debris flows and rockfalls.

GRAPHIC DESIGN

Clara Aboulker – Babel, Bαβέλ, لباب ,לבב

with Gilles Gavillet, Guy Meldem

In Genesis 11 , it says: “The whole Earth was of one language, and of one speech.”  People decided to build a tower that would reach the heavens. To punish their pride, God destroyed the tower and confused their language. Babel is a multilingual book (four languages: Greek, English, Arabic, Hebrew) that  relates this biblical episode as well as the unfinished search for a unique and perfect language. This book considers translation as a solution to a universal language and proposes  to visualize the text in an architectural way.

GRAPHIC DESIGN

Pauline Perret – Nous, Fabrice Gorgerat

with Gilles Gavillet, Jonathan Hares

My graduating piece is a graphic transcription of a contemporary play. Nous , a play by Fabrice Gorgerat, was performed for the first time in February 2019.  The play recalls a gun shooting that took place in 2016 at Pulse, a gay nightclub in Orlando, and questions everyone’s role in such tragedies. The graphic direction aims to be as close as possible to the message and feelings  that the author wanted to convey. Each scene represents a way of approaching this kind of event: actively, emphatically, passively or neutrally, and is presented in a self-contained object.

GRAPHIC DESIGN

Multiple Choice

with Gilles Gavillet, Jonathan Hares

GRAPHIC DESIGN

Pauline Brocart – viet/ l'ing/ ai non/ ai l/

with Gilles Gavillet, Jonathan Hares

viet/ l’ing/ ai non/ ai l/ (vietato l’ingresso ai non addetti ai lavori entry to non-professionals is forbidden) "The further a project is from its state of completion, the more it is virtual, it does not mean that there is 'less', but on the contrary that it is more open to multiple reappropriations." (Pierre Lévy) This project explores the unfinished Sicilian, these architectures of public order having never functioned. It tries to locate, to grasp the temporal state of these places. The book oscillates between elevation and shock, construction and decomposition. Between the ruin, which incites to remember and the construction site to imagine, what projection can we have, today, of these urban objects?

GRAPHIC DESIGN

Sounds Like A Choice

To talk about privileges, one inevitably has to consider the implications and intersectionality of existing power structures. From the inner conflict of being shaped by a society that perpetuates your inferiority, to the empowerment of recognizing strength in differences, each statement comes with the baggage of having certain experiences, and the context of “who says it”.The aim of this work is to use graphic design and language as tools in attempting to grasp the intangible in everyday situations and to create room for discussion in the work itself as well as in its ongoing inquiry.

GRAPHIC DESIGN

Multiple Choices

with Gilles Gavillet, Jonathan Hares

Pick a subject, an editorial style, and a medium – either book or digital.

GRAPHIC DESIGN

Laura-Issé Tusevo – Diccionario Lukumí-Español

with Diego Bontognali, Gilles Gavillet

The Diccionario Lukumí-Español is a major editorial work on the lukumí language that has emerged in the Yoruba community of Cuba. This dictionary presents itself as a practical answer to the problem of knowledge’s transmission on an island where communism and clandestinity still reign supreme.  Through the complex and protean iconography of the Santería, I was able to address the issues related to the notion of auctoriality in contents' creation. This work allowed me to familiarize myself with the fieldwork, its possibilities and its limits.

GRAPHIC DESIGN

Thomas Le Provost – Intramonde

with Diego Bontognali, Gilles Gavillet

Intramonde aims to introduce the subject of quantum physics to those who are not familiar with it. The visual and conceptual structure of the book is designed analogically with the central principle of quantum physics which represents the law of fate. Each model contains a unique sequence of images, layouts and illustrations due to the algorithm scripting, hence every book is non-identical.

GRAPHIC DESIGN

Matthieu Visentin – The Magic Theatre

with Nicole Udry, Gilles Gavillet

«A psychedelic experience is a journey to new realms of consciousness. The scope and content of the experience is limitless, but its characteristic features are the transcendence of verbal concepts, of space-time dimensions, and of the ego. Such experiences of enlarged consciousness can occur in a variety of ways: sensory deprivation, yoga exercises, disciplined meditation, religious or aesthetic ecstasies, or spontaneously. Most recently they have become available to anyone through the ingestion of psychedelic drugs such as LSD, psilocybin, mescaline, DMT, …» –Timothy Leary, 1964

GRAPHIC DESIGN

Clément Gicquel – Finders Keepers Leaders

with Diego Bontognali, Gilles Gavillet

Finders Keepers Leaders is about a contemporary controversy over the privatization of space resources, based on the opposition of two major legal texts. While one is at the origin of the complete pacification of space, for precisely 50 years, the other suggest a free appropriation of space resources by private company, initiating a global rush to the space resources. Decided unilaterally under the guidance of progress, this document raises political, ecological and geopolitical issues threatening a fragile global balance.

GRAPHIC DESIGN

Benoît Brun – Misophonia

with Gilles Gavillet, Nicole Udry

AKIRA is a lettering inspired by the japanese tuning. It uses shapes inspired by curves from tuned cars, ornaments, stickers and inspires motion. It’s a versatile lettering, with multiple possible variations for the same letter. The result of this research is a newspaper that uses grids taken from japanese dailies and mangas. These construction systems gave me the possibility to show off its modularity and to create strong black and white contrasts. This lettering aims to symbolize the movement or to be used as one alone, like a visual language.

GRAPHIC DESIGN

Amaury Hamon – Grandmaster Mind

with Diego Bontognali, Gilles Gavillet

Fascinated by the age of externalization of memory we live in, I inquired about its antagonist: the Art of Memory. Grandmaster Mind is an initiatory journey through mnemonic techniques. From beginner to Grandmaster, the book travels through the re-encoding of mundane datas (lists, numbers…) into memorable visual narratives.  The design is built on the duality between data and its mental projection. The digital aesthetic acts as a personal database of pre-existing memories and knowledge—a key to visualize to-be-remembered informations.

GRAPHIC DESIGN

27.03.1977 ((1706:50))

with Gilles Gavillet, Jonathan Hares, Aurèle Sack

27.03.1977 ((1706:50))  aims to analyse forty years later, the different factors which led to the deadliest accident in aviation history—the Tenerife Airport Disaster—which occured in Los Rodeos Airport, in March 27, 1977 in the Canary Islands, in Spain. Gathering official and documentary sources of references, it is a visualization of the interferences, present under multiple sorts: temporal, visual, behavioral and audio. We wish by this book not only to investigate factors of danger in aeronautics, but also to shape a better future for Aviation Security and Air Traffic Control.

GRAPHIC DESIGN

Targeting Consciousness

with Gilles Gavillet, Jonathan Hares, Aurèle Sack

GRAPHIC DESIGN

OMENS

with Gilles Gavillet, Jonathan Hares, Aurèle Sack

GRAPHIC DESIGN

documenta space in time

with Gilles Gavillet, Nicole Udry

documenta space in time is an editorial archive work on one of the most important art  events, Kassel documenta. The book compiles the ten first editions of documenta at the Museum Fridericianum, from 1955 to 1997. We approached this work as an archeology of the archive, with different stratum of research and highlights. This work has allowed us to focus on our interest in books publishing, he confronted us with passion to issues related to the publication of an archive and its graphic and editorial responses.

GRAPHIC DESIGN

Drei Nächte

with Gilles Gavillet, Nicole Udry

In this painting, we can count no less than eight boner sex members,  one of the character, entirely naked like the others, is dealing simultaneously with two men and one animal. Indeed, this character, down on his knee is not only sodomizing the animal but he is also grabbing the animal sex member in erection. Furthermore, the lower back character, or even its bump, is being caressed by another man, which in turn has his member in erection held by another one towards the first one’s mouth. As for the sodomized animal, its tongue is directed towards the bump of another man, who also have his sex in erection. Even the animals’ tongues shapes and representations evoke more the sex member in erection than actual tongues.

GRAPHIC DESIGN

Alexandra Chernopazova –

with Gilles Gavillet, Nicole Udry

The visual identity for the Swiss Museum of Games, the unique museum of board  games in Europe. While creating a visual identity, my goal was to design an instantly recognizable, colorful and contemporary style, that reflects its personality. Inspired by gameplay experience and wonderful atmosphere of playing process I started creating a typography based on combinations of geometric shapes and colors. Due to this project, I could experiment and discover new typographical forms and create a tool "Alphabet". This tool allowed me to create a graphical language and communication.

GRAPHIC DESIGN

Océane Bacher – A N I M A

with Gilles Gavillet, Jonathan Hares

ANIMA is a catalog of images and ideas inviting to imagine an unfinished film about the  afterlife. Through concepts such as encryption, symbolism, surrealism, randomness and infinite, the book is a puzzle to decipher. By an infinite combination of pages, there may be a  multitude of possible books, films, stories... This editorial research allowed me to question the medium of the book in its  structure  and reading.

GRAPHIC DESIGN

List of tropical cyclones

with Angelo Benedetto, Gilles Gavillet, Jonathan Hares

Make an edition with the list of names of tropical cyclones.

GRAPHIC DESIGN

Confession of Lance Armstrong

with Angelo Benedetto, Gilles Gavillet, Jonathan Hares

Creation of an edition from the interview between Lance Armstrong and Oprah Winfrey.

GRAPHIC DESIGN

Vanja Jelic & Rasmus Schoenning – AUTONATOVETO

with Ludovic Balland, Gilles Gavillet

As part of an attempt to unify Bosnia, NATO decided in 1998 to change the licence plates indicating the region into an anonymous combination of letters and numbers. The system was undermined by drivers proud of their ethnicity, who found ways of accessorising their cars with stickers and other insignia. On our journey through Bosnia we collected videos, photography and archive material to document the development of the different identities. This book is a documentation and research into how people responded to the western attempt to unify the diversity within Bosnia.

GRAPHIC DESIGN

Emilie Pillet – HTTPrint

with Gilles Gavillet, Nicole Udry

HTTPrint is an extension running under Google Chrome that follows you and records your browsing history. In order to achieve this, it captures data, such as the time you spend on each page, the url, images and texts. HTTPrint is a tool for visualizing this content with time as the main parameter. It shows your habits, when and how you are surfing on the web. You can capture and save the result by printing it at home or ordering a print-on-demand log. This project has allowed me to discover new possibilities in my practice of graphic design.

GRAPHIC DESIGN

Tancrède Ottiger – Scottish

with Gilles Gavillet, Ian Party

My graduation project is a typographical interpretation resulting from my interest in typography as much in its historical forms as in its modern aesthetics. Scottish is a character built on the classic models from the Renaissance era but with a radical language. The family is composed of 3 different but complementary cuts: light , regular & bold , and their corresponding italics. The challenge of this design was to conciliate a baroque structure which includes various calligraphic angles with the stability of a simple digital look.

GRAPHIC DESIGN

David Scarnà – Total

with Gilles Gavillet, Ian Party

For my diploma, I have worked on a font family of six modular monotype typefaces. The family includes three styles (square based, condensed and extended) which all have two contrasts (classical and reverse). Intrigued by the monotype specificities, I have set myself drawing constraints to amplify them and create letters on a perfectly joinable sub-base. The typeface specimen highlights the many possibilities of associations or combinations offered by the font family.

GRAPHIC DESIGN

Lilian Kim – Sajin Sajeon

with Diego Bontognali, Gilles Gavillet

This book is a lexicon of untranslatable Korean words that are related to my origins. Untranslatability happens when it is hard to find a one-to-one equivalence from the source language to the target language. In an effort to get closer to those meanings, I visualize the concepts through archive photographs. The reader can look at each word individually, whereas the book as a whole reveals Korean culture through the history of my family. This collection of 100 words was organized in Korean alphabetical order and came from associations, memories and introspection.

GRAPHIC DESIGN

Klaus Stille – The Blick Book

with Ludovic Balland, Gilles Gavillet

The absurd articles that give me my inspiration for this publication come from the newspaper Blick am Abend . A visual odyssey through the world’s perpetual absurdity. At the same time, an image of our modern society emerges. Newspapers no longer serve solely to convey information, but also to give the reader a certain type of entertainment. And so it comes about that we are confronted with a load of rubbish every day. The diary helps me to digest and process this trash. As with the daily news, I had to produce on a daily basis. This is also about the working process, and work experience. Fun factor 100%.

GRAPHIC DESIGN

Joy Laporte – Dam

with Gilles Gavillet, Nicole Udry

My diploma project is a report about the dams in the Swiss Alps, more specifically in the region of Valais. Each dam shows, in a spetacular way, how important the production of hydropower is for local economic development. This report shows the current power and the potential of these colossal constructions, which are perfectly integrated in their environment. Nowadays, the dams are very present in the media as concessions are expiring. In the future, they will play an important role as Switzerland’s foremost renewable energy source.

GRAPHIC DESIGN

Giliane Cachin – Extreme Geography

with Ludovic Balland, Gilles Gavillet

This project is a research and documentation project on the extreme geographical points of Switzerland. In an experimental and scientific tone, the reader discovers these places from one extreme point to the other. The layouts are adapted to each of these points depending on their geographical coordinates. As for the images, they mix different types of views (aerial, on the front) making the reader discover the places from many angles.

GRAPHIC DESIGN

Alice Franchetti – Monumentum

with Gilles Gavillet, Nicole Udry

My diploma project is a tourist guide which presents the fifteen most visited monuments in Europe. Their popularity has allowed me to come up with a different visual language than what they are usually associated with. I wanted to showcase how interesting they are, not by showing them as we are used to seeing them, but by isolating/enhancing their characteristic elements. These very different monuments let us travel through different ages and explore a large panel of forms. One visit, 15 monuments, 500 elements, are what my edition is composed of, creating an architectural journey through which the reader can be transported into the past and back.

GRAPHIC DESIGN

Marathon New York

with Gilles Gavillet, Ludovic Balland, Angelo Benedetto

Réalisation d’une édition à partir du Marathon de New York.

GRAPHIC DESIGN

Snowden

with Ludovic Balland, Gilles Gavillet, Angelo Benedetto

Réalisation d’une édition à partir de l'affaire Snowden.

GRAPHIC DESIGN

Hugues Coudurier – Stereo

with Ludovic Balland, Gilles Gavillet

Stereo My project is called Stereo. It’s a publishing that regroups all kinds of musical samples used by hip-hop artists, from styles such as : blues, r’n’b, soul, funk, rock, old school hip-hop. Stereo proposes a reading experience that highlights the sampled artists in hip-hop, while the not so often sampled artists are also presented on a graduated list. To keep this idea of « sampling », the images, often used for iconic and information purposes, illustrate the lists of samples and are composed with the artists’s vinyl covers, cut and rearranged to create new images. The publishing also includes a part explaining the meaning of sampling, its rules and misuse (court cases, plagiarism, etc).

GRAPHIC DESIGN

Charlotte Hauser – Extra Omnes

with Gilles Gavillet, Nicole Udry

Extra Omnes I worked around the Conclave, the moment when the new Pope is elected. More than the religious symbols, I was interested in the media coverage of this event. Once the doors of the Sistine Chapel close, there is nothing to do but wait. Still, about 5000 journalists were in the Vatican, sent there for an extensive live coverage. While waiting for the famous white smoke, they had to generate a steady flow of information, they had to fill the blank. I chose to show this mass of information, collecting articles, tweets, and transcriptions of TV and radio broadcasts, produced only during the 26 hours of the Conclave. By organizing them in a loose chronological order, I wanted to see how these bits of information evolve within minutes, how they repeat themselves, and how they comment on each other. The images, descriptive or distorted, evoke the heavy atmosphere of the event and a feeling of vertigo. At once solemn and ordinary, the book plays on subtle contrasts and becomes a metaphor of white noise.

GRAPHIC DESIGN

Samuel Bruchez – Pistes noires

with Gilles Gavillet, Jonas Vögeli

Pistes noires This project retraces the development of a world renowned ski resort and follows the taming of a portion of the Swiss Alps. Success arrived in the ‘50s and an idyllic image built around the resort of Verbier. But this situation was quickly confronted with all the dangers of the environment (accidents, collisions and avalanches). The question of responsibility set forth an array of rules to regulate the use of this still obstinate environment. This work taught me to work with a subject that is not only overflowing with good materials, but one I’ve been passionate about. Prix Bonnard & Gardel 2013

GRAPHIC DESIGN

Julien Savioz – Warming by the Devil’s Fire

with Ludovic Balland, Gilles Gavillet

Warming by the Devil’s Fire recounts the life of Robert Johnson. Considered today as one of the fathers of early Blues Music, he died in fact anonymously in 1938 at the age of 27 and fell into oblivion. It was only during the 60’s that white folk and rock musicians rediscovered his 2 albums and started being interested in his life. In 30 years though, his story had been told so many times and in so many different ways that it had turned into a tale. Theories, white fascination and romantic visions completed the myth, to which – as a European fan – I decided to contribute by telling my own version.

GRAPHIC DESIGN

Pierre Girardin – Have you ever had an acoustic dream ?

with Ludovic Balland, Gilles Gavillet

Have You Ever Had an Acoustic Dream ? My book is based on the studies of R. Murray Schafer, who invented the notion of soundscape in the seventies. I started by doing some of his listening exercises in different environments and then decided to use binary possibilities to create a form of concrete visual soundscape. A website is dedicated to the project, where we can listen these landscapes www.haveyoueverhadanacousticdream.com

GRAPHIC DESIGN

Thomas Hervé – Moondog We’ve Never Seen Before

with Ludovic Balland, Gilles Gavillet

Moondog We’ve Never Seen Before is a biography as a tribute. The book revolves around the life of a multi-talented artist : Moondog. Visual products run the diversity of his works such as poems, lyrics and instruments. Beyond the formal aspect of the biography, this project allowed me to question the limits of this genre. How far may an author revise and/or interpret the life of his subject ? For the sake of transcription, it was interesting to me to confront my universe with this singular artist’s. www.hervethomas.com

GRAPHIC DESIGN

The Tinner Saga

with Ludovic Balland, Gilles Gavillet, Jonas Vögeli

Reenactment of the Tinner case featuring the main characters, places and actions

GRAPHIC DESIGN

Confiscated

with Ludovic Balland, Gilles Gavillet, Jonas Vögeli

Book on the archive of the Tinner case.

GRAPHIC DESIGN

Affaire Tinner – Archives 2004-2011

with Ludovic Balland, Gilles Gavillet, Jonas Vögeli

The Tinner case through various archives, such as newspapers, television and documents of the Swiss Confederation

GRAPHIC DESIGN

Une Affaire – Sept Versions

with Ludovic Balland, Gilles Gavillet, Jonas Vögeli

The Tinner family, Swiss engineers from father to son, is suspected for participating in nuclear proliferation. Several sensitive documents relating to the case were destroyed. The Federal Council has instructed order to avoid any danger to global security. Despite an apparent group cohesion, the seven councilors have very different personal versions.

GRAPHIC DESIGN

La Chambre à 1,2,3 Dimension(s) Montre à 1,2,3 Tour(s)

with Ludovic Balland, Gilles Gavillet, Jonas Vögeli

The DSK case seen as a result of a chain of consecutive actions. All actions are initiated by decisions. This book contains the same decisions and allows the reader to make his own path and explore alternative scenarios and consequences.

“The Eskimo in the Mojave Desert”: Herbert Matter, a Designer Across Scenes and Genres

with Jonas Berthod, Louise Paradis, Gilles Gavillet

Matter’s career was that of a multidisciplinary, international designer working across commerce and culture. He was not only a graphic artist but also a photographer, type designer, art director, teacher and film-maker. His work in the field of advertising and editorial design, his collaborations with artists, his self-commissioned work, his photography and film outputs and his long-serving position as an educator provide as many entry points to analyse the impact of migration and an international network on a graphic designer’s career. It also provides a case study to analyse the professional model of the designer working as photographer and layout artist simultaneously.