FINE ARTS
Evaluations 3AV
Discovering the various fields and movements of contemporary art by developing one’s own artistic expression. Such is the opportunity offered by this Bachelor programme to young, passionate artists wishing to perfect their technique, experiment with discourse and consolidate a critical stance. Students benefit from practical and theoretical supervision provided by major actors of the contemporary art scene.
Thanks to state-of-the-art infrastructure, workshops with acknowledged artists and courses provided by experienced practitioners, the students gradually become seasoned in numerous techniques (etching, drawing, painting, sculpture, photography, sound, screen printing, lithography) and means of expression (performance, video, installation, new media or exhibition design). Theory also plays a major role, supported by studio visits and exhibitions as well as a host of multidisciplinary lectures within ECAL.
From pure artistic practice to exhibition curatorship, via writing, teaching or research, the range of opportunities is all the wider by creating an exceptional portfolio. This programme is also a gateway to the Master Fine Arts at ECAL or in another institution.
French
Bachelor of Arts HES-SO in Visual Arts
6 semesters
180 ECTS
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by Roxane Christinet, Salomé Engel, Maria Esteves, Assadour Matthey, Léonard Vazquez Vila, Flavio Visalli
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by Fanny Dunning, Clément Grimm, Laura Hagmann, Mathilde Hansen, Noemi Leneman, Nolan Lucidi, Lou-Anna Ulloa del Rio, Florentina Walser, Ysé Willemin
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by Charlie Jannes, Anna Kawahara, Romane Roy
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The BAAV is inviting two leading figures to its semestrial workshops: Pierrine Poget, author and poet, and Marie-Caroline Hominal, dancer and performer, both from Geneva. The former, described by one student as an "osteopath of the brain", invites a group of students to make a family with the voices in their heads, while the latter invites bodies into the space of the party for a performance in the ECAL film studio.
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by Charlie Jannes, Romain Rochat, Céleste Meylan, Baptiste Schaerer, Romane Roy, Mariana Isler, Noemi Leneman, Anna Kawahara, Tom Grbic, Julie Wuhrmann
Contexte
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by Caroline Bischoff, Louis Fontaine, Giada Gollin, Olivia Handschin, Amina Loumachi, Clara Luna, Axel Mattart, Achille Meier, Charlie Schär, Jamie Soria, Nayla Younes, Mayalène de Roquemaurel
Self explanatory
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Nostalagia Is a Different Kind of Pain(t) ECAL x Cheryl Donegan On the occasion of artgenève from 3 to 6 March at Palexpo, ECAL presents projects by Bachelor Fine Arts students produced during a workshop with American artist Cheryl Donegan Initiated in the context of a collaboration with the Art & Vie Foundation, whose mission revolves around textiles, this workshop aimed at crossing everyday objects, subverting craft processes and reproductive gestures. Produced by students from the first to the third year, the selection of works presented reflects the transdisciplinary approach of the programme, where tapestry meets painting in dialogue with more performative pieces or digitally printed and cut aluminium sculptures. Students Patricia Araujo Roxanne Christinet Alexis Colin Oriane Emery Salomé Engel Maria Esteves Albertine Grbic Clément Grimm Laura Hagmann Mathilde Hansen Mariana Isler Charlie Jannes Anna Kawahara Nolan Lucidi Ella Minton Romane Roy Lou-Anna Ulloa del Rio Flavio Visalli Florentina Walser Opening hours Thursday 3 March: 12 - 7pm Friday 4 March: 12 - 8pm Saturday 5 March: 12 - 8pm Sunday 6 March: 12 - 7pm Palexpo Rte François-Peyrot 30 1218 Le Grand-Saconnex https://palexpo.ch/
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with John M. Armleder
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with Gabriele Garavaglia
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by Achille Meier
When the juices stick to the burning metal, deglaze generously with white wine.
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by Seline Symons
Inspired by everyday, banal forms, I revisit our world to create new combinations. A game of childlike wonder. There is room for play, imagination and personal interpretation.
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by Giada Gollin
„Just like… Like G G G Like Gugus starts with G and...“
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by Anna Kawahara
"So, what should we choose? Weight or lightness?"
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by Romain Rochat
But he was going at 100 km/h after all
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by Romane Roy
[…] You know I've never been to one of these things before and when I think about how many people wanted this, and how many people cried over it and stuff, I mean, I think everybody looks great tonight. Look at Jessica Lopez, that dress is amazing and Emma Gerber that hair do must have taken hours and you look really pretty. So why is everybody stressing over this thing? I mean it's just plastic, it's really just (she breaks the crown). A piece for Gretchen Wieners, a partial Spring Fling Queen. A piece for Janis Ian and a piece for Regina George, she fractured her spine and she still looks like a rockstar, and some for everybody else. (Cady’s prom speech in MEAN GIRLS)
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by Patricia Araujo
«Os olhos da nossa memória vêem melhor do que os nossos.» — «The eyes of our memory see better than ours.» José Sobral Almada-Negreiros How do we know our memories are real and not dreamlike?
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by Romain Deriaz
Huit peintures à l'huile de colza AOP certifié durable, but in English
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by Tom Grbic
Imagine not being able to run away is a continuous performance lasting the whole day. It aims to show the principle of ‘trans work’ theorised by Josephine Gilles Harris in 2019. J. G. Harris highlights, among other things, the fact that queer people need to maintain a constant performative state in order to be able to navigate the world in an ‘understandable’ way. With an activation of texts by Laurène Marx, Tom Grbic, Josephine Gilles Harris and Adel Tincelin, it is also an effort to inscribe ourselves in a lineage, a critical and welcoming queer History.
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by Charlie Jannes
"Pattern, itself an architectural species, reflects order and stability. Then a need to create chaos as though life itself were taking place. Finally, the bonding (layer by layer), the interpretation of paint, fabric, photograph, tea towel, ribbon, lace, and glue. A collage : a simultaneity; a visual dazzlement, a multilayering, a final message for the senses. (…)"
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by Ella Minton
My diploma project is an self-portrait created using ball point pens and Chinese ink on six sections of cardboard that are one metre by eighty centimetres put together to create a three metre by one metre sixty piece. The goal of the project is to represent uncertainty, anxiety and internal conflict. Leaving blank space to play an equally important role as the filled in sections, to reinforce the loss of self in this emotional whirlwind.
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by Mathilde Hansen
Could you take a picture of me like this? Where I’m standing, here From the other side? Is it better like this? Do I look cool? More serious or smiling? More serious, ok Great.
Visual artist, Art critic, Curator, Art director, Teacher, Cultural mediator, Performer, Stage manager, Exhibition designer, Video artist…
Valentin Carron, Claudia Comte, Sylvain Croci-Torti, Stéphane Dafflon, Philippe Decrauzat, Natacha Donzé, Cyprien Gaillard, Frédéric Gabioud, David Hominal, Gilles Furtwängler, Mélodie Mousset, Simon Paccaud, Gina Proenza, Jeanne-Salomé Rochat, Denis Savary, Baker Wardlaw, Shirin Yousefi…
Stéphane Kropf
Assistants
Charly Mirambeau
Romane De Watewille
Printing workshop
François Kohler
Lithography workshop
Simon Paccaud
Silk-screen workshop
Sylvain Croci-Torti
Francis Baudevin
Geoffrey Cottenceau
Stéphane Dafflon
Philippe Decrauzat
Federico Nicolao
Karim Noureldin
Tatiana Rihs
Denis Savary
Thibault Walter
Philippe Azoury
Tina Braegger
Emanuele Coccia
Dimitri De Preux
Gallien Déjean
Patricia Falguières
Tristan Garcia
Miriam Laura Leonardi
Gina Proenza
Stéphanie Serra
Zoe Stillpass
John M Armleder
Erica Baum
Carlos Casas
Delphine Coindet
Rochelle Feinstein
Ryan Foerster
Gabriele Garavaglia
Dorota Gaweda
Maxime Graf
Fiammetta Griccioli
Wade Guyton
Charlotte Herzig
MarieCaroline Hominal
Eglè Kulbokaité
Bernhard Leitner
Lydia Lunch
Helen Marten
Shana Moulton
Hans-Walter Müller
Kaspar Müller
Olaf Nicolai
Precious Okoyomon
Virginia Overton
Lionel Ruffel
Thomas Tilly
Achraf Touloub
John Tremblay
Hannah Weinberger