Editorial Design BA3 2024-2025

The third-year students had to produce an edition over half a term, choosing as their subject an event that had appeared in the newspaper on the date of the first lesson.

La Bastille

Who has the power to establish a heritage? When a selection process based on elitism is imposed, it leads to the obscuring of cultures, traditions and folklore. This book explores the issues involved in heritage preservation through the lens of a vanished building whose history lives on: the Bastille. Destroyed during the French Revolution, it survives through a proliferation of engravings, replicas and fragments scattered all over Paris.

Coraline Beyeler

1/12

Once upon a Hoax; a skeptic's fairytale

Once upon a Hoax; a skeptic's fairytale is a hybrid of fairy tales and fake climate sceptic reports. By placing the arguments of climate deniers in a fairytale universe, their absurdity is exposed by putting them on the same level as imaginary stories.

Emilie Müller

1/13

Avoir du chien

Avoir du chien is an editorial proposal on the unique link between fashion icons and their pets through the ages. It's a journey into these relationships, from the intimate to the public sphere, and their mutual influence, whether on clothing style or the way people think and create. From Choupette to Toutou or Balthazar, this fascination with four-legged companions extends to the world of fashion, where they can become a veritable source of inspiration. After all, isn't it said that like master, like dog?

Cyprien Valenza

1/9

The Storm Boris

The Storm Boris is a book that explores the formation of occluded cold low storms through the example of the Boris storm, which occurred on 11 September 2024. The book follows the four key phases in its development. Paper types and sizes have been defined according to temperature and atmospheric pressure, allowing a physical understanding of the storm's dynamics.

Marc Facchinetti

1/12

Réclamer l’image

In a world saturated with images, photography becomes a trophy, often overshadowing any ethical considerations. This phenomenon is striking in tourism, where capturing replaces understanding, reducing individuals, landscapes and cultures to mere visual objects.
This edition explores these abuses through images printed by acetone transfer, retaining only their imprint. A materialization of the erasure of the subject in favour of its photographic trace.

Eliot Dubi

1/9