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GRAPHIC DESIGN

Elsa Trummer – Tournerie

by Elsa Trummer

My work is about the swiss agriculture, a sector facing many challenges, including a decreasing number of farmers. I have chosen to communicate about agriculture through an educational game, in which players embody farmers working together on a farm. This game emphasizes collaborative spirit, which I consider crucial for our future, while also raising awareness about agriculture and sparking players' interest in it. The objective is to achieve sustainable agricultural development by accumulating points and answering questions to acquire knowledge. My game aims to valorize agriculture by offering a positive alternative and reconnecting the population with the world of agriculture.

GRAPHIC DESIGN

Baptiste Torrent – Chandoline

by Baptiste Torrent

Chandoline is a proposal to reuse the former Chandoline hydroelectric power station in Sion in the Alps. The idea is to transform the site into a bottling plant for the water previously used to generate electricity. The project establishes the typography and visual identity of this unique mineral water brand. The typeface consists of a cut regular and an italic to the left, whose shapes are inspired by the fluidity of water and the tubular aspect of penstocks. As for the visual identity, it's made up of a corpus of shapes that refer to the falling and rotating movement of water, as well as to the industrial aspect of the site.

GRAPHIC DESIGN

Pierre Teissier – IDORAMA

by Pierre Teissier

The concept of identity as an organic process that evolves over time clashes with the essentialist approach of surveillance technologies. Algorithms probe us and inscribe us in shackles defined according to prosaic criteria. IDORAMA is a didactic experience which, while placing the human in front of the machine, aims to situate it in a wider context. Using several sensors, the program analyzes the user and collects his geolocation data during a certain time interval. At the end of the capture, a snapshot is returned to the user, in the form of a personalized digital map. The uniqueness of this map becomes a temporal marker, a memory testifying to the use of the program.

GRAPHIC DESIGN

Angeline Rossetti – Women Equity in Sport

by Angeline Rossetti

Women Equity in Sport is a campaign dedicated to the promotion and visibility of women’s sport. Although the participation of women in sports federations is increasing, media coverage remains insufficient. This project aims to fill this lack of visibility by creating specialized newspapers for each sporting discipline. Distributed during sporting events, these newspapers will provide information on current issues in women's sport, based on concrete facts and inspiring slogans in order to sensitize and encourage collective awareness. In addition, video reports will offer a dynamic perspective, highlighting the action on the pitch and giving a strong voice to sportswomen, thus helping to change mentalities and promote equality in sport.

GRAPHIC DESIGN

Luca Riva – Attitude as Tool – The graphic language of context

by Luca Riva

Attitude as Tool is a research project on the practice of graphic design through the use of context. The project develops into a book that proposes a working method that invites designers to work in unconventional contexts, integrating them into their professional practice and using these contexts to develop tools, ideas and processes. Derived from a way of observing the world related to the concept of "Adhocism" and encouraging self-production, unlikely combinations of what is at hand, common or unusual materials are integrated into the creation process. Mistakes, unintentional and situational gestures shape unexpected results.

GRAPHIC DESIGN

Simon Schönmann – Délits

by Simon Schönmann

Délits is a newspaper which aims to shake up preconceived ideas about the police by showing the violence it generates. Taking a foothold in a Lausanne region known to be peaceful, its 70 pages confront the reader with a multitude of media relays, often brutal or sensationalist, part of interventions by the police with dramatic outlets, before reveal a more global structural problem. Proposals for alternatives and reforms are then presented.

GRAPHIC DESIGN

Luca Reichenbach – Substance

by Luca Reichenbach

In the early 20th century, typography involved manual engraving of characters on lead or wood to suit the printing methods of that era. Nowadays, typography is largely digitized during the design phase and applied across both print and digital mediums. This project investigates the shift from physical to digital typography, analyzing its material and immaterial aspects, including its shapes, design and applications.

GRAPHIC DESIGN

Flaurant Kadrija – Deconstructing the static figure of flag (kosovo case)

by Flaurant Kadrija

In this project I explore the figure of Kosovo's flag by deconstructing it into six main categories: territory, politics, history, culture, future and society. Each flag is represented by a static shape, symbolising its unchanging nature. However, through the use of specific iconography and imagery, these forms are transformed, creating new representations that reflect complexity and fluidity. The current flag of Kosovo, created according to European and American rules, lacks an authentic national identification due to socio-political differences. This project aims to represent the true identity of Kosovo through iconographic research. By transforming these static categories into dynamic symbols, I aim to capture the evolving and multifaceted identity of Kosovo.

GRAPHIC DESIGN

Delphine Moënnat – Le Soleil a dit qu’il reviendrait

by Delphine Moënnat

There are places where the sun promises to return, where its rays glide over faces marked by the trials of life. Le Radeau is one of those places. Le Soleil a dit qu’il reviendrait invites us to enter, to listen to the rustle of whispers, to observe the discreet gestures that tell stories — their stories. This book explores the lives of those who inhabit this place, through intimate conversations; the border between their world and ours is almost imperceptible. We slip in quietly, as if entering a dream, and realize that these people are not strangers. They could be our brothers, our sisters, our children, or our friends. It is a book that speaks to our hearts, inviting us to reach out, to listen, and to understand.

GRAPHIC DESIGN

Morgane Gilliéron – Je l’ai pris, l’ai bien plié & l’ai mis dans vos oreilles.

by Morgane Gilliéron

I took it, folded it well, and put it in your ears. offers an immersive journey into the heart of a discreet ethnic group, testifying to a marginalised and little-known culture and traditions.The wise and humble nature of this ethnic group is embodied in my edition through a slow and contemplative rhythm composed of texts and images. The project highlights four Fulani crafts – the dagger, pottery, cooking pots, and jewellery – as well as important ceremonies, presented through images, stories, and interviews.My goal is to transport the viewer into a world rich in colours, while honouring my roots and sharing the beauty of this culture.

GRAPHIC DESIGN

Yohann Kampmann – Formant

by Yohann Kampmann

Formant Festival is an audio-visual event featuring music and digital art installations in abandoned industrial sites in Valais in Switzerland. Valais's old industrial sites, once vital, are now neglected or demolished for unnecessary residential buildings. Formant repurposes these spaces for cultural events, preserving heritage and fulfilling community needs. The festival's visual identity uses these architectural spaces in an interactive 3D website, blending sound and visuals to immerse users. This approach encourages public curiosity and exploration, enhancing their understanding and enjoyment of new artistic forms. Formant means each of several prominent bands of frequency that determine the harmonic quality of a sound.

GRAPHIC DESIGN

Lisa Grobet – Villa Trudy

by Lisa Grobet

Listening to the walls, perceiving the imprints they bear, remembering the ghosts of the past. Villa Trudy, in Sardinia, is a house marked by the passage of many lives. A father teaching his son to swim, this son becoming a father in turn. The walls bear witness to the changes and traces left by our ancestors. They observe the events that unfold within the house, but remain passive. In a way, they are the guardians of the place, witnesses of an invisible absence. Through sensitive intervention on the remnants of the place, this book aspires to become, in turn, the guardian of memories that would otherwise no longer be tangible, offering a new form of transmission. This project pays tribute to the soul of Villa Trudy by preserving its heritage.

GRAPHIC DESIGN

Juliana Ferreira – Ma Chère,

by Juliana Ferreira

In many migratory movements we see people having artefacts and handicrafts with them wherever they go, because it creates a sense of belonging and comfort. In Ma Chère, the craft talked about is crocheted lace and embroidery combined. This craftsmanship as a form of expression and transmission, symbolising patience and waiting. Ma Chère, is a two-voice retranscription of a migratory journey from Portugal to Switzerland, using letters and these textile supports as correspondences. On the one hand, moving to a new country, the building of a life and the expansion of a community in Valais. And on the other hand, the evolution of a country that has become a postcard.

GRAPHIC DESIGN

Sacha Décoppet – Mon être

by Sacha Décoppet

Human trafficking is a complex issue. It is a form of extreme exploitation that needs to be examined and understood in the context of global poverty, restrictive migration policies, economic crises and discrimination based on sex, ethnicity, gender identity or sexual orientation. Mon être is an edition that attempts to explain this phenomenon, by giving a voice to women who have been victims of exploitation, in collaboration with a Lausanne-based association, ASTREE. To do this, the project is a mix of testimonials, the results of artistic workshops, interviews with people fighting against this scourge and journalistic sources.

GRAPHIC DESIGN

Océane Pasteur – Rendez-vous

by Océane Pasteur

Anchors are fundamental elements in the construction of identity, so Rendez-vous is one of them. There is origin and nationality, and this year I had a rendezvous with both. Although they are very different, they both make up my identity. Twenty-three years ago I was called Dang Thuy Thu Hang, twenty-two years ago I was called Océane Thu Hang Pasteur. Rendez-vous is about a journey, mine and theirs. To do this, I decided to set out to find my origins and, at the same time, retrace the paths taken by my parents. By reconstructing the key elements of this union, through archives and time, I sought to understand and weave the links between these multiple heritages.

GRAPHIC DESIGN

Alexandra Cupsa – Piedica în calea uitarii

by Alexandra Cupsa

1 Iunie is one of the last abandoned industrial factories in Timișoara that has not yet been demolished. Its demolition is imminent, and its existence might be forgotten. Piedică în Calea Uitării means "An Obstacle to Forgetting" in Romanian and marks the intention of this project. To prevent the factory from being forgotten, and to create a new space within the pages of the book to preserve fragments of 1 Iunie’s life. This is not only a visual journey but also an auditory journey accompanied by a vinyl record. Each episode of the factory's life is introduced through a song from the same period. Beyond 1 Iunie, the project also focuses on the issues of preserving the industrial heritage of the city of Timișoara.

GRAPHIC DESIGN

Edizioni Arche

by Ruben Campoy Bähler, Monica Müller

Edizioni Arche unites the idea of inclusion under the umbrella of a publishing house that has as its founding pillars ‘always act in such a way as to maximise the number of possibilities’, a quote from the philosopher Von Foester, which we try to apply in our diploma. The importance of enabling fluent reading and understanding is a primordial concept: everyone should have the right to read and understand. Graphic design conveys this possibility. Arche researches and explores accessible editorial responses to all cases, from comprehension difficulties, motor problems, visual impairments or the simple desire to empathise with others. No less important, books aimed at a wider audience are not excluded: they raise the necessary awareness of sometimes underestimated problems.

GRAPHIC DESIGN

Jonas Buxcel – Canine

by Jonas Buxcel

Canine is a magazine dedicated to organic and local food in Switzerland. The first edition's theme is rice. I visited local rice producers in Vully, Switzerland, to find out about their methods and their passion. Inspired by their work, a special menu has been created around this grain. The pages of this magazine are packed with creative recipes and captivating stories about Swiss rice. The aim is to highlight this terroir and the art of local cuisine. By exploring farming traditions and culinary innovations.

GRAPHIC DESIGN

Olympe Boutaghane – Ask your Neighbor

by Olympe Boutaghane

As part of the Ask Your Neighbor project, a library of methods, tools, and resources was developed in collaboration with 30 professionals from various fields. The goal is to promote a more collaborative and interdisciplinary approach to design. Opening up to others allows for renewal and helps uncover practical, technical, and creative solutions. This project aims to rethink how we work while encouraging reflection on the use of tools, techniques, and software. Ask Your Neighborseeks to evolve over time, enriched by contributions that deepen our understanding of design, particularly in educational contexts. To share this approach, the methods and resources are presented in workshops at design schools.

GRAPHIC DESIGN

Valentin Bonzon – Sueños entre paginas, les rêves entre les pages

by Valentin Bonzon

Inspired by Gabriel García Márquez's Nobel Prize speech, I went to Bogotá to document a journey exploring the power of reading and writing in a city marked by violence and corruption. The project compiles initiatives promoting reading and writing, highlighting the importance of literature in Colombia. The main chapters address various topics, such as writing workshops for youth affected by armed conflicts or the extensive system of public libraries. Interspersed between these chapters are historical fragments providing context. Finally, poems printed on handmade papers and inserts from second-hand books found in Bogotá structure the work, giving it a unique form.

GRAPHIC DESIGN

Rebecca Alfandary – Disparitions

by Rebecca Alfandary

Everything is fated to disappear. This non-exhaustive collection explores the plurality of the manifestations and forms of impermanence, its impacts, its causes, as well as its different timescales. Great and little stories inhabit the same space, and make information and interpretation come together. Text and images, both linked and independent of each other, illustrate each subject and create a dialogue. Throughout the book, a series of interludes give it a more sensible dimension, by referring to our relationship with the ephemeral. The whole is both a testimony and a tribute to what is disappearing, what has disappeared, what will disappear.

GRAPHIC DESIGN

Karim Akel – Ma'as Typeface

by Karim Akel

Ma'as Typeface is a family of variable, experimental, Arabic and Latin fonts inspired by Al-Kufi Al-Handassi calligraphy, found mainly in Oriental architecture, and by early XXth century dutch geometric fonts. Through this work, I question the balance of power between Latin and Arabic script as well as the technological tools' efficiency that made for drawing Arabic characters. The theme of multi-script is currently revealing a plethora of issues linked to the balance of power between two distinct writing systems. Ma'as Typeface metabolizes my dissertation research, which explores questions of identity and power between Latin and Arabic scripts through their formal characteristics, evolution and historical context.

GRAPHIC DESIGN

L'inventaire

by Camille Choquard, Chloé Vandewalle

To make an exhibition catalogue, there are Camille and Chloé, but also all the other hands, and everything that fits between the ends to enter the space of the book, like entering a house with a reading key. L'inventaire is an exhibition catalogue that tells its own story, and that happened in accordance with its own chronology. It invites you to take a closer look at the prologue, which describes the research process, to wander through its heart, which was printed during the opening, with a system of retranscription and live printing, and to thank you in the epilogue, which reverently marks the end of its production. In this way, the book becomes an exhibition space, then returns to its original form.

GRAPHIC DESIGN

Simon Maurer – Riposta FC

by Simon Maurer

Football is the most popular and publicized sport in the world, which gives it the opportunity to be more than just a game. Thanks in part to its popularity, it is used as a promotional medium, a forum, a means of communication. Both by players, fans, institutions, politicians etc. Riposta FC aims to question the place of football in society, its social role and how it could be used differently to serve other purposes than those already existing. The jerseys are second-hand garments with thermo-glued designs inspired and remixed visuals inherent in the world of football with the aim of creating a new interaction.

GRAPHIC DESIGN

Collector

with Adeline Mollard

During the visual identity course with Adeline Mollard, the students had to develop an identity project promoting a collection chosen by them. Each project includes the design of a catalogue contextualising and presenting the collection, together with the design of a poster.

GRAPHIC DESIGN

Editorial Design S2 2024

with Diego Bontognali

The semester project consists of two editions with identical content but different formats. Construct content from a news report, to produce two editions.

GRAPHIC DESIGN

Type Design

with Aurèle Sack

The second-year students had to develop the lower-case letters of two display fonts by hand.

GRAPHIC DESIGN

Type Specimen

with Robert Huber

Type design research and developmen displayed on a specimen.

GRAPHIC DESIGN

TRANSLATION

with Adeline Mollard

During the visual identity course, the 2nd year Graphic Design bachelors had to produce a communication project based on a translation. They had to define their own translation system and develop a visual language based on these rules.

GRAPHIC DESIGN

So, how can we live better?

with Nicole Udry

Beyond questions of functionality, comfort and individual or collective well-being, the built environment is capable of responding in a stimulating way to societal, energy and environmental challenges. Workplaces, homes, public spaces, interiors and streets are all driven by real statements of intent that motivate their design. The 2nd year Graphic Design students worked on a communication based on one of these principles (or others) and on the architectural creation that refers to it in order to promote it.

GRAPHIC DESIGN

Information Design

with Angelo Benedetto

During the information design course the students of the second year have been asked to design a cartographic poster based on a film in the road movie genre, in a direct or abstract representation.

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Service Design - 2024

with Angelo Benedetto, Vincent Jacquier, Pauline Saglio, Calypso Mahieu

During the Service Design course, the 3rd year of the Graphic Design, Photography and Media & Interaction Design bachelors had to create multi-media projects. A collaboration of the Visual Communication department which had as subject the SDGs (*Sustainable Development Goals). The theme was called "For a good cause, make the SDGs a reality" and its objective was to allow students to develop a cause that is close to their hearts. Each project consists of at least two different media, one primary and one secondary. These projects could take any form that the students deemed relevant, be it a website, editions, posters, a video sequence or virtual reality.

GRAPHIC DESIGN

Generated memories

with Guy Meldem

During the Image Creation course with Guy Meldem, students explored the benefits of AI. Feeding the machine with their own illustrative style, they were able to generate a certain quantity of images, enabling them to produce a graphic novel, a collection of images or other types of illustrated editorial work.

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

SYNC SCREEN

with Charlotte Krieger, Jean-Vincent Simonet, Florian Pittet (Sigmasix), Vincent Jacquier, Julien Gurtner, Matthieu Minguet, Cédric Duchêne, EPFL+ECAL Lab, Giacomo Bastianelli

For a week, the first-year visual communications students worked on an installation consisting of 15 screens, accompanied by a 360° sound system developed by EPFL+ECAL Lab. This chandelier, five metres in diameter and suspended from a height of three metres, served as a support for their experiments. Using music specially composed and spatialised for the occasion, the students explored the dynamics of sound both visually and in movement.

GRAPHIC DESIGN

Workshop Jiri Oplatek

by Candice Aepli, Amélie Bertholet, Coraline Beyeler, Delphine Brantschen, Léa Corin, Matteo Cortesi, Mathilde Driebold, Eliot Dubi, Marc Facchinetti, Emilie Müller, Dorian Pangallo, Paul Paturel, Hugo Scholl, Diego Steiner, Cyprien Valenza, Alfredo Venti, Arnaud Wenger, Constance Mauler, Flora Hayoz, Lidia Molina González

An Ode to the Poster 80 Attributes 80 Fonts 80 Posters During this week, the second year students had to create 80 posters, i.e. 4 posters per person. Based on a list of defined attributes, they had to create typography and concepts around them.

GRAPHIC DESIGN

Workshop Hélas Studio

with Eilean Friis-Lund, Alice Vodoz

Mise en scène An exercise centered around the poster format with a typographic approach. The goal is to convey the atmosphere of a film through lettering by graphically staging the text.

GRAPHIC DESIGN

Visual Identity

with Adeline Mollard

During the visual identity course, the 1st year Graphic Design bachelors had to realize a communication project around a district where they live.

GRAPHIC DESIGN

Type specimen

with Aurèle Sack

Type design displayed on a specimen.

GRAPHIC DESIGN